Sep 29, 2016 Provided to YouTube by Warner Music Group Can't Go Back (2016 Remastered) Fleetwood Mac Mirage (Remastered) ℗ 1982 Warner Bros. Records Remastered 2016 Rhino Entertainment Bass Guitar: John. Mirage von Fleetwood Mac als 2-CD, mit Tracklist und weiteren Infos. Genre: Rock, Classic Rock Country: U.K. / USA Year: 2016 Audio codec: MP3 Riptype: tracks Bitrate: 320 kbps Playtime: 02:02:17 Site: Tracklist: Disc One: Original Album – 2016 Remaster – time: 43:14 1. Love In Store 2. Can’t Go Back 3. That’s Alright 4. Book of Love 5. Only Over You 7. Empire State 8. How to install office home and business 2016 for mac with product keycard. Straight Back 9. Eyes of the World 12. Wish You Were Here Disc Two: B-Sides, Outtakes, Sessions – time: 01:19:02 1. Love In Store (Early Version) 2. Suma’s Walk AKA Can’t Go Back (Outtake) 3. That’s Alright (Alternate Take) 4. Book of Love (Early Version) 5. Gypsy (Early Version) 6. Only Over You (Alternate Version) 7. Empire State (Early Version) 8. If You Were My Love (Outtake) 9. Hold Me (Early Version) 10. Oh Diane (Early Version) 11. Smile at You (Outtake) 12. Goodbye Angel (Original Outtake) 13. Eyes of the World (Alternate Early Version) 14. ” Straight Back ” 15. Wish You Were Here (Alternate Version) 16. Cool Water 17. Gypsy (Video Version) 18. Put a Candle in the Window (Run 19. Teen Beat (Outtake) 20. Blue Monday (Jam). ![]() Fleetwood Mac – Rumors (1977/2011) FLAC (tracks) 24 bit/96 kHz| Time – 39:52 minutes| 875 MB| Genre: Rock Official Digital Download – Source: HDTracks.com| @ Rhino/Warner Bros. With the pop sense of Lindsey Buckingham and Stevie Nicks now leading the band, Fleetwood Mac moved completely away from blues and created this homage to love, Southern California-style. Each songwriter makes his or her presence known: Nicks for her dreamy, mystical reveries (“Dreams,” “Gold Dust Woman”); Christine McVie for her ultra-catchy slogans (“Don’t Stop”); and Buckingham for his deceptively simple pop songs (“Second Hand News,” “Go Your Own Way”). “The Chain,” written collectively, is the Mac at their most dramatic. But it’s the ensemble playing, the elastic rhythms, and lush harmonies that transform the material into classic FM fare. Rumours is the kind of album that transcends its origins and reputation, entering the realm of legend — it’s an album that simply exists outside of criticism and outside of its time, even if it thoroughly captures its era. Prior to this LP, Fleetwood Mac were moderately successful, but here they turned into a full-fledged phenomenon, with Rumours becoming the biggest-selling pop album to date. While its chart success was historic, much of the legend surrounding the record is born from the group’s internal turmoil. Unlike most bands, Fleetwood Mac in the mid-’70s were professionally and romantically intertwined, with no less than two couples in the band, but as their professional career took off, the personal side unraveled. Bassist John McVie and his keyboardist/singer wife Christine McVie filed for divorce as guitarist/vocalist Lindsey Buckingham and vocalist Stevie Nicks split, with Stevie running to drummer Mick Fleetwood, unbeknown to the rest of the band. These personal tensions fueled nearly every song on Rumours, which makes listening to the album a nearly voyeuristic experience. You’re eavesdropping on the bandmates singing painful truths about each other, spreading nasty lies and rumors and wallowing in their grief, all in the presence of the person who caused the heartache. Everybody loves gawking at a good public breakup, but if that was all that it took to sell a record, Richard and Linda Thompson’s Shoot Out the Lights would be multi-platinum. No, what made Rumours an unparalleled blockbuster is the quality of the music. Once again masterminded by producer/songwriter/guitarist Buckingham, Rumours is an exceptionally musical piece of work — he toughens Christine McVie and softens Nicks, adding weird turns to accessibly melodic works, which gives the universal themes of the songs haunting resonance. It also cloaks the raw emotion of the lyrics in deceptively palatable arrangements that made a tune as wrecked and tortured as “Go Your Own Way” an anthemic hit. But that’s what makes Rumours such an enduring achievement — it turns private pain into something universal.
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